【專書推薦】Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission: The International Buddhist Art Style in East Asia, ca. 645-770

【專書推薦】Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission: The International Buddhist Art Style in East Asia, ca. 645-770

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Author: Dorothy C. Wong

Publication Year: 2018, NUS

 

Introduction:

The period ca. 645-770 marked an extraordinary era in the development of East Asian Buddhism and Buddhist art. Increased contacts between China and regions to both its west and east facilitated exchanges and the circulation of ideas, practices and art forms, giving rise to a synthetic art style uniform in both iconography and formal characteristics. The formulation of this new Buddhist art style occurred in China in the latter part of the seventh century, and from there it became widely disseminated and copied throughout East Asia, and to some extent in Central Asia, in the eighth century.

This book argues that notions of Buddhist kingship and theory of the Buddhist state formed the underpinnings of Buddhist states experimented in China and Japan from the late seventh to the mid-eighth century, providing the religio-political ideals that were given visual expression in this International Buddhist Art Style. The volume also argues that Buddhist pilgrim-monks were among the key agents in the transmission of these ideals, the visual language of state Buddhism was spread, circulated, adopted and transformed in faraway lands, it transcended cultural and geographical boundaries and became cosmopolitan.

 

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華人文化主體性研究中心

華人文化主體性研究中心

政治大學受教育部高教深耕計畫補助成立「華人文化主體性研究中心」,期能透過跨領域的研究整合,提高台灣在華人文化研究方面的國際能見度與學術水平,並期待因而能在華人學術圈中催生創新的思潮,讓全球共享中華文化的博大與精深。

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